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Of course there is an International Rug Hooking Day – Dec. 4

Part 1 leading up to Dec 4: the organizations

2019 has been a year of anniversaries in the world of rug making – hooking, punching, prodding, braiding, even felting, the techniques practiced for centuries in homes to warm floors, beds, walls and tabletops. Simple tools, treasured fibers, and time was all that was needed to produce the protection. Yet based on the skills of the makers it became decorative art. As the 20th century aged “store bought” goods replaced ‘home made” and the traditions faded.

hooking with wool strips,
Weeping Willow, Ruckman Mill Farm

Thankfully regions continued making and began to meet sharing the skills, educating young and exhibiting. Celebrating 40 years in 2019 is ATHA, the Association of Traditional Hooking Artists with membership at-large or in chapters, a general meeting bi-annually hosted by a region in North America, and regular newsletters. The youngest group is the Australian Rugmakers Guild, celebrating their 10th anniversary . Out of necessity they have used the internet since the beginning to network groups, exhibits and conferences across the South Pacific. . The Rug Hooking Guild of Nova Scotia also formed 40 years ago in 1979 to educate and preserve the craft and has branches in all parts of the Maritimes. 25 years ago the Rug Hooking Guild of Newfoundland and Labrador officially formed. The organization has funded and conducted an on-going rug registry totaling more than 1000 mats and their stories.

On December 4, 1994 eighteen people from several countries formed The International Guild of Handhooking Rugmakers -TIGHR, at the end of their conference in Ruislip, UK. Their mission was declared to spread friendships sharing the variety of rugmaking techniques enjoyed around the world, connecting members via hand typed newsletters and holding a general meeting every three years. Fast forward 25 years, TIGHR has met in 8 different countries and broadcasts news, videos and exhibits via the internet to millions – Happy Anniversaries to these groups and thank you to the many volunteers over the decades promoting the skills and social benefits.

Besides landmark anniversaries other long term groups include the annual conference of Ontario Hook Crafters Guild in different locations around the province for 53 years. The National Guild of Pearl K. McGown Hookrafters continues the teaching program begun in 1951. In Japan several teachers exhibit student work in department store galleries. Sauder Village in Archbold, OH is the mecca annually for a week of workshops, shopping, exhibits and networking during mid August at Rug Hooking Week, the 24th will be August 10-15, 2020.

And a big thank you to Ampry Publishing who continues the legacy of Joan Moshimer’s News and Views from 1972 now, since 1989 Rug Hooking Magazine, celebrating their 30th anniversary this year. The only magazine dedicated to all forms of rug hooking – traditional, folk art, realistic, contemporary for the floors to the walls.

Educating about Craft

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The responsibility of craftspeople is to pass on their skills. Educating is a goal of all rug hooking organizations. During the ATHA Bi-Ennial in Cleveland, OH a panel addressed opportunities for individual members and groups to EDUCATE. Representing the internationals I collected the following stories.

The Australian Rugmakers Guild connects their vast membership using cyberspace, local groups and conferences in different parts of the country. Click on the name of the guild and sign up for their posts. Bec Andersen conducted another community art project. This time with adults for a community center. Three panels were designed and punched then installed.

Yarrabilba Community Centre in 2017. The images of the panels were conceptualised by a group of children using stories of Yarrabilba past and present as inspiration.

Norma Hatchett worked with seniors, the blind and children, her projects are described and photographs in the Oct/Nov/Dec 2013 Newsletter of the Guild on pages 9 and 10 and featured in an article by Josephine Franco in Sept/Oct 2012 Rug Hooking Magazine

Cherished Memories, Childhood Dreams, 10′ x 4′, yarn hooked on hessian with a speed needle. Designed by Norma Hatchett and created by residents at an Australian hostel for patients with dementia.

Sue Girak is currently coordinating a project to bring awareness of waste products to students. She and her partner are surveying participants through the process, documenting their reactions to materials selected (plastic grocery bags, t-shirts, recycled fabric), methods used to hooked/prod/punch these, personal feelings of waste. A public display of several 6 foot tall fiber footprints will culminate their research. Although this is based in Perth, West Australia our conversation opened an invitation for a US or Canadian group to participate. If seriously interested contact Sue for a survey and parameters (her email is in the attached description) Walking Together with Pride, Perth, Australia. The Wanneroo Rugmakers have joined in and are using plastic bags and prodding them into two larger than life footprints.

Brightly coloured “toenails” on the right footprint have been hooked using department store coloured plastic bags. The skin is being hooked with plastic bread wrappers. The red/gold prodded flower decorates the strap of the thong sandal

Jo Franco, Editor of Australian Rugmakers Guild wrote about several of these projects in the J/J/A 2016 issue of Rug Hooking Magazine which focused on Education.

In Japan several individuals train generations in the fine techniques of rughooking. Noriko Manago is adept with three-dimensional creatures and children’s designs. She is often seen working with children and their mothers in her Instagram presence at @togemuse

Canadians have the history of working in our crafts with their grandmothers, mothers and siblings and pass this on to the next generation. Val Galvin of British Columbia can be found on Facebook at Renditions in Rags Hooked and Braided Rugs and is profiled on TIGHR.net as one of our Collector’s Cards.

In Quebec, Kathleen Menzies, is an art teacher. She incorporated a variety of learning elements into a semester long project. The students portraits were translated into values and digitalized for latch-hooking using a program called leftsource.com. The students evaluated their experience, with one lesson being “do not procrastinate, you might run out of materials along with time.” Here are some more lessons What have we learned by working on this project

Latch Hooked Portraits

The Beaconsfield Rug Hooking Guild is in Montreal area. They coordinated with the Sherwood Elementary School a project to learn rughooking which was inspired by reading the ATHA article Gene Shepherd wrote on educating youth. Every age group reaped rewards from the intergenerational lessons. Check out the album of pictures at Children Rug Hooking .

What I learned from gathering these stories is that a few can inspire many. Working within a school system, creating lesson plans, coordinating funding, and the thrill of communicating with people outside of our comfort network is a more valuable reward than just seeing a completed project. The International Guild of Handhooking Rugmakers invites members for the cyberspace linking and a triennial general meeting in the host country.

Share your craft with people you do not know, someone will pass it on to others a few years down the road.

New Zealand by Air and Foot

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A trip of my lifetime began three years ago when the International Guild of Handhooking Rugmakers new board was announced to be based in Australia. As Past-President of course I was going to attend the tri-ennial conference in the Fall of 2012. My grandfather taught me to save for a goal and the envelope came out for just that… a trip halfway around the world! Why not explore another country near the destination? So New Zealand went on the list. Internet searching made planning a breeze with Maps, and sites to explore from luxury of homebase. A few emails and even one phone call to New Zealand confirmed all of the lodging and airplane legs. And we discussed how to pack for two weeks in a carryon weighing no more than 7kg (15 pounds) and one suitcase.

October 8 dawned and the first leg began. Drive to Frederick, MD and park my car with a friend while Deb Smith and I continued in her vehicle to Dulles Airport. Check-in at United for cross-country flight to Los Angeles. The rest was on Air New Zealand… highly recommended and after our 7 flights with them, I agree. FLY WITH AIR NEW ZEALAND if you can. In Los Angeles we met up with Linda Rae Coughlin and the threesome continued to Auckland, NZ, through customs and dropped off our luggage for a domestic hop to Rotorua.

Deb and Susan in transit

We arrived in Rotorua, one of the most active thermal regions in the world. On our list to see were the mud pools, geothermal waters, and steamy volcanic forested areas. The government of New Zealand wisely realized in the early 1900’s that deforestation without replanting would destroy the economy and ecology. They mandate every tree which is cut must be replanted and the climate creates quick growth especially in the evergreens. A REDWOOD forest was planted in that period and the trees have grown to hundreds of feet tall already. Here the three of us are posing on a tree which fell but then sprouted several “limbs” as new trees.

Linda Rae, Deb and Susan on Redwood

I decided to drink tea on the trip and found ordering “tea for two” was less expensive than two cups of tea. Deb and I often shared a pot of English Breakfast.

Tea at the Rotorua Museum Cafe

One observation is the cost of food either in supermarkets or at restaurants, cafes was higher than in the States until we realized there was NO TIPPING, for any service, taxi, guide, and certainly not waiters. This does not stiffle service. Our reaction to New Zealanders in general was friendly, helpful and welcoming; we were encouraged to return to visit the South Island (only one week of travel time), and given added advice before asking. Tourism must be high on the economic impact list but I felt they all truly enjoyed living in New Zealand and being “Kiwis”.

There is a new envelope with a two dollar coin inside, beginning my return trip to New Zealand.

TIGHR Skype to Australian Board

ArtWools Studio of Susan Feller

Exploring traditional textile techniques in the 21st Century.