Mid April is a bridge time between seasons; in nature and creativity. Redbuds and woodland flowers along with hardwood trees begin to clutter up the stark winter lines and palette in the woods in West Virginia. We focus on each new color enjoying how they jump out then merge into the greenery of spring/summer. The winter studio opens up to porches and traveling.
I look forward to the reunion of friends during an annual retreat. We share and recharge our creativity with critiques and lessons. The 2017 session included walks along trails; singing; yoga in our seats; moving to music; reviewing finished work and critiquing work in progress; tips to finish, embellish, dye and explore new artists; watching TED talks and video panel discussions; and sharing opinions on world issues as we celebrated 10 years.
Here is a peek into our weekend showing different styles of working and results. Visit the postings of Lori LaBerge and Karen Larsen for more insights and the previous post here Many Hands Dyeing.
- critique of Shirley Hairston’s original design
- another critique session
- Liz Gordon discussing changes to Susan Quicksall design
At the end of a day our workspaces cast personalities as much as meeting us in person.
- Sue Spargo book of stitches
- snippets saved, eyeglasses
- tools and drinking glasses
- Townsend Cutter, Hartman Hook, value piles of cut wools
- cut wool, velvet, silk ribbon
- organized
And our work shows the variety of interests in the group and among individuals. This was a needed refueling of friendships, skills and passions. Get out and explore with your friends.

Brenda Reed’s work dog design by Lennie Feenan, taught by Judy Carter and pineapples by Searsport Rugs

Elaine Montambeau’s fine cut work top Jane Halliwell Green design, bottom, crewel, right scrolls House of Price
Wonderful time!
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