The exhibit is at Virginia Quilt Museum, Harrisonburg, VA until October 7, 2023.
There is a workshop on September 23 titled Beginner Rug Hooking but anyone who enjoys hand crafts can join in as we make-do with fiber and create a small mat. See this link for registration details.
Read more about the traveling schedule and other exhibits I am exploring this month at SusanFeller.com/Blog
The exhibit of hooked art by seven creatives was hung on July 11. The show is at Virginia Quilt Museum, 301 S. Main Street, Harrisonburg, VA through October 7 with a reception celebrating several exhibits at the Museum on September 23. Image above is ‘Breaking Open’ by Meryl Cook from Nova Scotia, Canada. See SusanFeller.com/blog for a full report.
The exhibit includes a digital catalog with artist bios, statements, images of the exhibited work, resources about rug hooking and the traveling schedule through 2024. Here is that link Stories are Made Loop by Loop at VQM
Below is the QR code for direct access.
Let us know if you visit what stories came to mind studying the art and if the WELCOME mat has a few loops pulled by you. If you are reading the catalog from afar we hope you connect with the artists and resources that interest you to see what they are creating today.
The exhibit Stories are Made Loop by Loop opens July 12 at the Virginia Quilt Museum in Harrisonburg, VA. This post on SusanFeller.com introduces some of the themes explored by the artists.
Opening on July 12, in Harrisonburg, VA this exhibit will feature seven international artists. Meet the makers this month on the post below.
Months in the Planning on SusanFeller.com
exerpt from full plenary presentation March 18, 2022 at the 45th Appalachian Studies Association conference, WVU in Morgantown, WV. Theme of the event was Making, Creating, and Encoding: Crafting Possibilities in Appalachia. Delivered by Convenor and panelist Susan Feller, fiber artist, craftivist,
“Our thanks to Natalie Sypolt for the topic, Emily Hilliard who suggested the panelists, and Beth Nardella lining up the tech. The panelists besides myself are Dr. Dolores Johnson, fiber artist and advocate from Huntington; WV, Shaun Slifer, JustSeeds.org, author, printmaker; and Kay Ferguson from ARTivisim Virginia talking about the Water Quilts community activist project.
Craftivisim was coined in the 21st Century.* It combines craft – using one’s hands and simple tools to create useful objects, usually done at home ALONE and activism – policy or action of vigorous campaigning to bring about political or social change. This relies on MANY TOGETHER.
Today we will present examples where artists working in their studios and at home contribute to change in the societal issues of the time. (Included in this posting)
How a craft brings makers together in a community adding independent work to become a louder voice.
And how an organization can be formed around an issue encouraging arts and activists from the start. (panelists described the theme’s work in their community, cooperative and organization. Reports from each panelist was submitted separately to be archived at Appalachian Studies Association, 2022 Conference).
It is important to find a project within an organization for people willing to create messages using domestic crafts. Many are unable to publicly resist but eager to contribute. They become part of the broader grass roots network necessary for an issue to take hold. Remember the simple knitted rectangle sewn up the sides into a pink hat just five years ago. They were contributed by thousands who watched from home during the Women’s Marches.
Carving, drawing, stitching, pulling loops EMPOWERS the maker. One line or stitch becomes two, over time thousands and a visual message for researchers decades later.
I represent those makers. My practice is solitary combining the slow traditional handicrafts of rug hooking, embroidery and applique’ to depict human interaction with nature and document my observations on social issues. The tools I use are simple. Needle, threads, hook and strips of fabric. I am drawn to sewing and rug hooking because of the comforting feel of fabric and seeing each loop or stitch adding to my message. Repetition becomes meditative, even cathartic. I approach a design with an idea, an image I photographed or sketched, phrases, the subject or even the view as I travel West Virginia.
2020 Journal took two months to complete. The process was and is therapeutic. Spending time with issues and thinking through color, techniques and materials begins to separate me from my thoughts and emotions. I know my work will be seen by others today and decades later inspiring awareness and conversations.
How human impact affects the natural beauty of Appalachia is a thread throughout my work. There are series about the pipelines cutting straight through forests and fields trying to cross waterways. The protests every step of the way are holding the companies back hopefully blocking this extraction of a limited resource being exported again out of state.
Mountaintop removal has blasted the peaks of over 500 mountains in West Virginia alone to extract what is left of the coal in our state. The process destroys habitats, poisons and reroutes waters, pollutes the air and produces sludge ponds filled with heavy metals all while people live, work and go to school in the valleys. Please consider where the energy is coming from in your daily life.
Iconic triptych spans a century of women’s rights leading to 2016 issue of voting rights for all. The neutral coloring representing 1920 and the ratification of the 19th Amendment adds to the history. By 1973 and the ERA passing from Congress for the states to ratify (still not 50 years later) I used my own Girl Scout badges and a rainbow of colors to portray my youthful outlook on the future. The VOTE palette proudly signals the USA. Names of women I voted for are embroidered around the red, white and blue crocheted doily.
I began a series titled Pussycat Pillow Talk with hooked images on the front and embroidered messages on the reverse. Themes have been #metoo movement, persistence, gender equality, climate change, Love, and whatever other social issue can be summed up in a few words. The collection is growing.
By taking hooked rugs off the floor and presenting them as art my work has been accepted in exhibitions and become ambassadors for traditional handicrafts speaking about society in the 21st century. Developing a strong social media presence brings awareness, uniting others.
I can join in the worldwide protests from the solitude of my studio in rural West Virginia.”
I serve on the board of Tamarack Foundation for the ARTS whose mission is to empower artists with business skills and marketing opportunities. We believe their art and economic contributions will help grow the local communities. The organization and several artists exhibited during the conference.
Domenica Zara Queen believes plastic is the 21st Century’s heritage fabric embracing the waste product in her traditional handicraft collection of rugs, mats, plates and vessels.
Robby Moore lives in Beckley, WV and is “inspired by the abstraction of shape, ephemera, tradition and mores; especially those steeped in Appalachia. He tries to express, through his figures, the sadness and confidence that comes from deep thoughtfulness.”
Suzan Ann Morgan is from Buckhannon, WV. She says “my artworks are the result of the examination of my own, often tentative, beliefs. During their creation I am afforded the time to reflect upon my beliefs, note their contradictions, and make manifest their essence. In the end, each piece presents one facet of my truth extending a hand to the viewer hoping to find common ground and a starting place for future conversations.”
We are makers working in our studios but responding to life as we observe it, fitting the definition of CRAFTIVISM.
delivered by Susan L Feller.
*further research Crafting Dissent, Handicraft as protest from the American Revolution to the Pussyhats, edited by Hinda Mandell, publisher Rowman & Littlefield.
Starting 2021 again with zoom groups was very different from a full calendar in 2019 of traveling. To focus on creative growth I began the 100 day drawing challenge on January 30. Thankfully it would be a shorter series than Year Study. With colored pencils, markers, a new journal (which ended up being two) and views outside my windows I decided to document nature. Networking with “friends” via social media each day kept me on track ending on May 10. Along the journey the sketches began to take form as fiber art – paints came out, embroidery threads and the rug hooking materials too. Thanks to that network, when Jamie Miller from Taylor Books Annex Gallery asked, I was ready with a proposal.
July 11- August 8, 2021 the collection was on exhibit with fellow Appalachians Chase Bowman, Chris DeMaria, Emma Doolley, Amanda Jane and Mike Ousley at Taylor Books Cafe and Gallery, 226 Capitol Street, Charleston, WV. There is a quick Instagram video showing the work up but seeing textile art in person brings a deeper appreciation for the materials and techniques.
Not being a gallery owner anymore I prepared a catalog of the drawings and fiber art so visitors could leaf through from winter into colorful spring.
These are some of the works on the walls.
I constantly write quotes and important dates on scraps of paper because I like history. In 2020 they piled up and haunted me. All the noise coming through radio, media outlets and rattling around my head had to be organized, edited and preserved through art = my personal story. Via zoom I talked with many other textile artists who had spent their hours pulling loops and stitching work that would last beyond these days. They were my inspiration and helped in finding my own voice.
How would I start? By July 2020 I was removed enough from the well planned life of Jan/Feb and the abrupt change when covid-19 entered my world to start composing. What size linen should I cut off the bolt? I decided on the full width and ended up with a runner 54 x 24. I could dedicate 9″ to each of the six months. One decision made. Here are the rest which evolved as I worked.
The first panel came together over the months of July and August. I hooked away listening to the Conventions, jotting down more quotes as the loops filled in the spaces. I thought the second composition would continue right away but found I had to put it aside until March of 2021. With distance it flowed easily, after a few adjustments the second six months panel was completed in just 28 days. I did not compare them except for the checklist of designing. The border uses the same rainbow fabric from Dorr Mill and two rows of black fabric (although slightly different) ties them together along with the monthly change in values and visual pattern. These must be seen to appreciate the multiple stories and techniques. Their first exhibit was an invitational “Social Studies” at Beckley Art Center, Beckley, WV May 14 – June 19, 2021. Here are some detail images.
The Journal is published online in an article by Emily Hilliard, WV Humanities Council ‘West Virginians’ Creative Responses to COVID-19: A Digital Exhibit’ and in the Fall issue of Goldenseal Magazine.
It was selected for the WV Juried Biennial Exhibition Nov. 2021-Feb 2022 by the WV Dept. Culture, Art and History, Culture Center, Charleston, WV
Handcraft skills through the centuries have been an essential part of domestic living. Fibers harvested, spun, woven and made into warm clothing eventually became scraps for the hook or needle to re-connect into decorative household goods. Who were the makers and their stories? So many unknown by name but personable in designs.
Today with the digital age, creatives share process images under their profiles, showing the spaces they work, materials collected, and especially tools and techniques. Researchers 50 years from now will thank us all for including these details. (Believe me from past experience trying to learn about the McDonald sisters and their work practices.). Search contemporary rug hooking, fiber arts, hooked art.
Over the past several months I have “met” many contemporaries via a network of fiber organizations and professionals. On this International Rug Hooking Day, December 4, here are a few.
Karen D. Miller Studio from Ottawa, ON Canada . Karen is an author, fibre artist, instructor and mother – click for the collection Motherhood. She is coordinating a series of fibre artists lecturing In the Studio you can find these events on her website KarenDMiller.com . Past visits have introduced us to Larry Weyand from Newfoundland, Nadine Flagel from Vancouver, BC, Patti Mullins Colen from London, ON among many others. Coming up next is Tracy Jamar, NYC on Jan 13, 2021.
I have curated some of these into a collection of hooked art from a series of zoom conversations with creatives who responded to socio political events for a future post. The book Crafting Dissent is a chronicle of historical essays describing craft used in protest. It mentions most of these calls have been picked up by younger makers which lead me to the research of rug hookers responding. In our 50’s and above, with time but not necessarily mobility to actively protest, we instead use loop pulling to process our anger, document events and leave visual statements for generations to come.
I met three generations who processed Black Lives Matter – Sharon Townsend, Suzanne Cantrell and Maggie Crabb.
Liz Marino has completed several from her fingerprint created as a portrait, suffrage anniversary, BLM and Covid.
Men and women pulled loops in simple geometrics selecting reds to depict the virus, or multi colors haphazardly chosen from the scraps just to be making something during the long hours of lockdown. Our conversations connected us because of the art.
Social media groups are the networking support for established makers and those coming to our crafts because of extra time. Rug Hooking Magazine uses their facebook page for informative events. In lieu of the annual Rug Hooking week at Sauder Village where finalists in Celebrations are exhibited, two webinars provided a gallery talk I lead with judges and personal interviews of many winners conducted by Gene Shephard. These can be viewed by clicking each highlighted link.
We all look toward 2021 and beyond for the opportunities to once again see fiber art in person throughout the world in local communities and museum venues. Normal is a frame of mind and the lessons learned from slowing down this year have been poured into our hooked, punched, prodded and sculpted fiber art. We will continue to virtually share the 19th C crafts using our new 21st C tech skills .
See you in a zoom meeting, at a virtual opening, chatting in a common social group or across a room at the next show. Until then stay safe, healthy and especially CREATING.
UPDATE: the first week went very well, full classes in all five sessions wonderful feedback from surveys. Plans are being finalized for a second week of virtual workshops, a couple of featured vendors and again bonus events. Registration will open early December for the Jan 31- February 5, 2021 Workshop Week.
There are five instructors who have come together under In the Studio to offer a workshop each day/night the week of October 26-30.
All registered students will also be invited to participate in two bonus Workshop Week events:
Workshop Week Hook-In
Join all of the instructors and the other students for an online hook-in. It will be held on Wednesday, October 28th, 2020, at 6:30 pm EASTERN for 1.5 hours. The Zoom link will be sent the day before the hook-in to all students registered in at least one class.
Workshop Week Panel Discussion
Join us for a bonus episode of the series ‘In the Studio’ where the five instructors will engage in a panel discussion and will take your questions. It will be held on Friday, October 30th, 2020, at 6:30-7:30 pm EASTERN. The Zoom link will be sent the day before the panel discussion to all students registered in at least one class.
Here are the classes and intro featuring each instructor. Note in the descriptions the way to contact the teacher for registration links and payment. We all look forward to this exciting time getting “together” in 2020 and learning. Please note that by registering for any classes in Workshop Week your email address will be shared with each of the five instructors only for the purpose of organization and follow-up and to invite you to the above sessions. You will not be added to any mailing lists.
WORKSHOP OPTIONS
TRAVEL DESIGN: LET THE WORLD INSPIRE YOU
lead by Karen D. Miller
Monday, October 26th, 2020,
at 6:30 pm EASTERN – 9:00 pm EASTERN
Find inspiration for your art from your own travels! Using your memories, your photos or even just your dreams of where you would like to go once the pandemic is over, we will talk about how to find, capture and interpret your ideas. Travel does not have to be far from home so, even if you haven’t travelled to exotic locales, this class is still for you. The hands-on activities in this class will leave you feeling inspired and with a number of designs ready to turn into art, no matter what medium you use!
This class is inspired by Karen’s book Eyes Open to the World: Memories of Travel in Wool published in 2019 by Ampry Publishing. It is not necessary to purchase the book to take this class, but students may find it a useful supplement to the information in the workshop.
Materials Needed:
A sketchbook (or a book with blank pages)
Pencil, eraser and pencil sharpener
Pencil crayons
Photos from somewhere you have travelled (can be close to home or further afield, and can be printed out or on a device)
A small watercolour set and brush(es) (does not need to be fancy- can be a set for kids) Class Fee: $45 US (Conversion will be made to CAD for Canadian students).
Payment can be made by e- transfer for Canadian students, or a PayPal invoice will be sent to students outside of Canada. For more information or to register please email Karen D. Miller at info@karendmillerstudio.com.
Karen D. Miller is a fibre artist living and working in Ottawa, Ontario. She has had her work exhibited across Canada and the United States, and in Canadian and American publications as well as those in Europe and Australia. Her work has been featured four times in Rug Hooking Magazine’s annual Celebration of Hand-Hooked Rugs, and in 2020 she was invited to be one of four judges for the publication. In addition, she is a frequent contributor to Rug Hooking Magazine. This past November, her first book, Eyes Open to the World: Memories of Travel in Wool, was published by Ampry Publishing. You can learn more about Karen and see her work at www.karendmillerstudio.com.
BASICS OF DESIGN: EXPLORE THE VOCABULARY FOR DESIGNING- ELEMENTS AND PRINCIPLES
with Susan L Feller
Tuesday, October 27, 2020, at 6:30 pm EASTERN – 9:00 pm EASTERN
Beginner or years into your fiber arts journey, this workshop will help to incorporate the building blocks (elements and principles of design) to create better compositions. Students will explore the concepts using small samples, and will become comfortable using design, materials and techniques.
In the 2.5 hour session we will define the Elements and Principles of Design and discuss the universal art vocabulary. Exercises included require pencil, paper, a selection of fabric in range from light to dark, and an open mind. YOU CAN DRAW. Participants will be invited to a private group for follow up discussion and more assignments over a three month period.
This class is based on Susan’s book Design Basics for Rug Hookers, published by Stackpole Books and available in an online search.
You will be contacted by the instructor before class to expand on materials and to allow for a discussion of one’s personal background in designing and expectations for the class.
Optional Materials:
For Canadian students: Wool kits and backing available by contacting Martina Lesar (studio@martinalesar.com); ask for Design Workshop Kit.
For US students: Wool kits and backing available by contacting Parris House Wool Works in Maine (parrishousewoolworks@gmail.com); ask for Design Workshop Kit.
Please note that purchasing Susan’s book and/or the Design Workshop kit are not required, but both are beneficial to have for the class.
Class Fee: $45 US. An invoice will be sent electronically.
For more information or to register, please email Susan L. Feller at rugs2wv@gmail.com with “Design Class” in subject.
Susan L. Feller is an award winning fibre artist, author, and teacher. She is a frequent contributor to Rug Hooking Magazine and she has had her work featured in and been a judge for their publication Celebration of Hand-Hooked Rugs. Susan frequently exhibits her work across North America. You can learn more about Susan and see her work at www.artwools.com.
HERE AND NOW IN WORDS AND FIBER
with Elizabeth Miller from Parris House Woolworks
Wednesday, October 28, 2020, at 1:00 pm for approximately 2.5 to 3 hours in length.
“Creativity is always a leap of faith. You’re faced with a blank page, blank easel, or an empty stage.” – Julia Cameron
Beth says “In this workshop we explore the intersection of words, writing, visual images, and the emotions and responses they evoke through the medium of rug hooking. However, we are narrowing our context down to the here, the now, the present, the close at hand. In this time of COVID-19, I want to turn that feeling of restriction into an expressive opportunity through the use of visual design and accompanying poetry/prose. We will focus on our immediate environments. The purpose here is to expand your appreciation for the seemingly familiar and see it in new ways.
Through a series of wordplay and sketching exercises, we will come up with a short piece of original writing (think Haiku, single stanza poem, or ten line prose) that will form the foundation of your rug design.
While this workshop is not meant to be a traditional “how-to,” I am also happy to talk about how to apply materials other than wool or techniques beyond the basic loop to your individual design if you are inspired to do so. This differs from my telling or showing you “what to do” as this project is going to be deeply personal ,and you are the intuitive expert on its creation.
I will offer a closed Facebook group for workshop attendees who want to continue interacting as they finish their projects and can provide ongoing support and resources through completion.”
Materials needed:
Snip scissors
Variety of colors and textures in wool and/or fiber
18” x 18” (suggested) or some other size serged/zigzagged/taped rug foundation
Cutter or some way to cut wool/fiber
(Optional) Calligraphy or art paper and pens Class Fee: $45 US
For more information or to register, please contact Elizabeth Miller at parrishousewoolworks@gmail.com.
Elizabeth Miller is the owner and artisan at the Parris House Wool Works in Paris, Maine. She has taught workshops at numerous locations, including at the Squam Art Workshops, and the Sabbathday Lake Shaker Village. Her work has been featured in Rug Hooking Magazine and Making Magazine, and she has a line of originally designed, hand-hooked, home decor items available through the Beekman 1802 Mercantile in Sharon Springs, NY. You can learn more about Elizabeth at her website www.parrishousewoolworks.com. Her upcoming book, Heritage Skills for Modern Living: Seasons at the Parris House is available for pre-order through her website as well as on Amazon.
INTUITIVE DESIGN with Meryl Cook
Thursday, October 29, 2020, at 1:00 pm-4:00 pm EASTERN
Join Meryl Cook as she shares her intuitive design process. In this class we will explore creative journaling (writing and sketching) as a means to create designs from within. This workshop will appeal to artists wanting to stretch their design muscles and to those wishing to explore a unique approach to journaling. You will learn: creative journaling methods for unblocking creativity and how to use your journal to create simple, intuitive designs.
These designs can be translated to your rug hooking or to any artistic medium. No need to be a rug hooker, all are welcome. Be prepared to have fun and leave with practical tools for journaling and an intuitive design.
Materials needed: a journal (or paper), pens or pencils and a sense of adventure. Highly recommended is Meryl’s second book, One Loop at a Time, The Creativity Workbook. Class fee: $45 US (approximately $59.14 Canadian as of September 9).
For more information or to register, please contact Meryl Cook at meryl@merylcook.ca. Payable by e- transfer within Canada to meryl@merylcook.ca or by PayPal if outside Canada. Class limit of 12 students.
Meryl Cook, artist, author, speaker and facilitator, specializes in connecting people with their creativity. Her corporate work focuses on engagement and well-being. Recent corporate clients include Nova Scotia Department of Environment Water Branch, Service Nova Scotia & Internal Services and Argyle Fine Art.
She is a sought after teacher in the journal writing and fibre arts communities. As an artist, colour, texture, joy and self-compassion are the key features of Meryl’s beautifully crafted hooked rugs and her books about her journey from homeopath to artist and journal writer. Meryl’s home studio is in Dartmouth, where she hooks and spins looking out at the Halifax Harbour.
Meryl is the author of One Loop at a Time, a story of rug hooking, healing and creativity and One Loop at a Time, the Creativity Workbook- both of which can be purchased from her website, www.merylcook.ca.
BUILD A BABY BOUCHEROUITE with Laura Salamy
Friday, October 30, 2020 at 1:00pm EASTERN for approximately 2.5-3 hours in length.
Boucherouites are having their day! They’re so trendy that you can’t look at a Better Home and Gardens magazine or watch an HGTV show without seeing them.
The Berber tribe of Morocco have been creating Boucherouites, one-of-a-kind, hand-knotted rugs, since the mid-20th century. Traditionally, they’re made using old clothes and other textile scraps. They’re a pretty freestyle form of expression often looking as if the weaver started with one color scheme and pattern, got bored, and moved onto something else. They’re fun in a colorful, spontaneous way and are easily adaptable to rug hooking.
In this workshop you’ll design your own “Baby Boucherouite” rug and start to hook it with textile scraps you have on hand be they cotton clothing, old bedsheets, and/or leftover wool noodles. The sky’s the limit! We’ll also discuss how to prepare, cut, and hook with non-wool materials.
This class is designed for a student proficient at rug hooking basics, particularly the mechanics of pulling loops through a backing. You need not own a cutter to participate (or even to hook rugs!).
Because this is an online workshop, students will supply their own materials.
Materials needed: Hooks; Backing of choice, enough to allow for a rectangular mat at least 12” by 6”;
A frame; A pencil (or “magic” pen) and Sharpie (we’ll draw rugs straight onto the backing); Fibers of choice (wool, yarn, old clothing/textiles, whatever); and
A mind and spirit open to experimenting and FUN. Class Fee: $45 US
For more information or to register please contact Laura Salamy at Laura@highonhooking.com. Class limit of 12 students.
Laura Salamy is the hooker behind High on Hooking. I’ve never been a “traditional” hooker, preferring to color outside of hooking’s more “typical lines.” Instead of limiting myself to wool, I prefer to use most any material I can get my hands on. Often that means cutting strips from old t-shirts and bed sheets. Up-cycling throw-aways to art is a priority for me. Our landfills are filling up. Or they’re already full. While certain projects benefit from virgin wools or other fibers, I like to do my little part to slow that process and make something lovely at the same time.
Laura’s work has been seen in various exhibits as well as Rug Hooking Magazine; ATHA Art of Rug Hooking magazine; Karen D. Miller’s book Eyes Open to the World: Memories of Travel in Wool; and Judy Taylor’s T-Shirt Treasures: Creating Heirloom Hooked Rugs from the Humble T-Shirt. She currently serves as President of the Adobe Wool Art’s Guild, New Mexico’s only rug hooking guild.
Learn more about her work at https://highonhooking.com.
We look forward to this exciting week filled with energy, experiments and experiences to share. Sessions are filling as each instructor has sent the information to their mailing lists.
Challenging self is part of living. As the restrictions to travel developed in 2020 I took some time to evaluate my dreams. Hiking the full 2,190 miles of the Appalachian Trail topped the list. Time to observe nature, leave external voices behind, reflect and connect with self were elements the journey would offer. But for me I admitted thru hiking would not happen. In 2020, the pandemic closed the system to many others who hoped to set out. I made my own trail.
I had wanted to connect the traditional random woven rag rugs we had from family members with rug hooking in a design and found a long narrow map of the Appalachian Trail which fit this concept. Two runners of linen each 59″ x 19″ were marked with the trail blazes, major river paths, and geographical sections. I pulled wools from inventory and sorted them into seasonal colored piles to become strips ready for the hook and finally 107,616 loops.
Over the next two months I hooked away in the studio, daily posting progress shots on my Instagram page ArtWools, Susan L Feller. The encouragement from followers included stories of their own experiences with the trail. Some lived close by. As I got to that spot I thought about them, even inserting a favorite color. As the seasons changed from cool colorful spring into warmer summer I switched piles of wool intermingling the colors as I imagined would be happening in the higher elevations and warmer valleys.
The typical 6 month journey on foot may have not been physically experienced but I have a visual personal reminder. The two rugs look complete individually and can join together seamlessly. They even look interesting side by side which has lead me to think of a seasonal rug perhaps 36 x 60. In the exhibit ‘Journeys’ at Beckley Art Center, the label reads commission work would be entertained. The New River would be an interesting subject exploring one season for each panel (smaller than the runners though). Endless ideas and still lots of time in the studio.
Installed as part of exhibit at Lost River Trading Post in Wardensville, the two together step up the wall as I had envisioned. Or they can be enjoyed walking along a hallway.
The runners were displayed at Sauder Village during the 25th Rug Hooking Week in August. The Wisconsin Museum of Quilt and Fiber Arts have selected them as part of the first exhibit solely featuring rug hooking “Hooked by Design” Dec 9 – February 20, 2022. A catalog will accompany this show.
ArtWools Studio of Susan Feller 