Category Archives: elements and design in art

Searching for Inspiration

5 inch hooked mats Susan L Feller

5 inch hooked mats Susan L Feller

Granted I have 365 sketches to “inspire” me creatively. But there is something about beginning to do that has eluded me for a block of time. Don’t fret, we are not holed up here in the mountains though rather traveled to new museums and collected inspiring details.

 

 

Studying a favorite, Georgia O'Keefe

Studying a favorite, Georgia O’Keefe

The Chrysler Museum of Art is in Norfolk, VA and open (free) every day. Galleries are filled chronologically covering worldwide history. The contemporary exhibits change and a separate Glass Studio includes opportunities to watch work in progress.
Labeling can add to the experience and the information with the artwork enhances our understanding of time and technique. We also found the docents to be the friendliest and most knowledgeable.

 

Shadows in Contemporary Gallery

Shadows in Contemporary Gallery

 

At the Michener Museum, Doylestown, PA  color was abundant. Kaffe Fassett presented “Blanket Statements” exhibiting quilts from a British collection alongside the contemporary results through Feb 21, 2016.

 

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Bucks County Impressionist collection

Bucks County Impressionist collection

The Michener collection focuses on regional artwork and features the talent of Bucks County Impressionists hung in a salon manner with labels as handouts not interspersed on the wall.

Inspiration can and should come from traveling. Vancouver, BC was an exciting trip filled with Emily Carr’s vast Pacific Northwest rainforest, city structure, and studio visits. All made extra special by spending with several art friends.

Shapes, texture, color, scale and awe.

Then there are the every day scenes filled with memories that can trigger a design.  I am energized by selecting these scenes and with a snow storm predicted will gather materials and tools for a long weekend of creating.  Hope you too are prepared or will find inspiration in the days ahead.

 

Documenting Work

Two paths converge with my work: history and art. Documenting who created the artwork begins the archival trail for future researchers, bringing “life” to an object.

The squares are not individually signed within the work but I am stitching a label to each along with the online archival record at Year Study.

Those which are framed include labeling in several steps.

Thrilled with the end results – a unique piece of art, off to its new home.

 

Revealing Squares

4-24-14 Positive Negative; hooked

4-24-14 Positive Negative; hooked

I am thrilled to announce the administrative work is completed and you can virtually explore the Year Study – square by square.  Review the exhibit here online.

From November 2013, through November 2014 the  individual squares are listed for sale at squareup.com/store/Susan-Feller-ArtWools select STORE then the month you are interested in or scroll through. Sold pieces are not listed on the sale site but you can still study them at www.ArtWools.com/year-study.

Looking forward to conversations in person, here online and through articles about creativity, process and product.

Premiering Year Study at Sauder

Year Study Journals

Year Study Journals

One month to go! The prep work is administrative now – scanning journal pages, photographing, cropping and uploading images and creating labels for the only public exhibit of all 365+ squares.  The YEAR STUDY will be hung as twelve panels (months) at Sauder Village Rug Hooking Week in Archbold, OH August 12-15. On Saturday morning I am conducting a gallery talk, sign up for this or enjoy the visuals while at the show.

The variety of techniques, materials and composition styles are sure to encourage fiber artists. Taking the time to educate myself with these elements has been more important than I first expected.  As an artist there are times when everything clicks and volumes of pieces are the results.  The satisfaction of sales and ease in making similar work just keeps flowing along.

BUT I have observed the spark of the artist does not end up in every one of their pieces. Back in my college days when a roll of photographs was taken there was probably only one or maybe two which were great, artists know when the object has a soul.

Working in uncertainty everyday to create a visual record was helpful to learn how to communicate visually.  Besides improving drawing skills I learned to simplify, enhance shapes, use colors and values to direct the viewer. Using a variety of techniques within one square, I have been able to create interest in a small object.

Several themes are haunting me and the studio has been reorganized, purged of clutter and is ready to be used for creativity. While cutting up the panels and adding the finishing to each square is still ahead, knowing they will be purchased and enjoyed by others makes this step enjoyable along with educational.

Traveling Inspirations

On the road again teaching, lectures and just because the weather is nice and making a point to visit all the state parks in WV. Coopers Rock State Forest was just three miles off the Interstate on my way to Cedar Lakes last week.

Cooper's Rock State Forest WV CCC construction

Cooper’s Rock State Forest WV CCC construction

A breathtaking view of undeveloped forest and valley atop a massive ROCK.  The CCC program instituted by President Roosevelt employed thousands and left structures built with native materials which decades later are treasured.

Cooper's Rock State Park, WV

Cooper’s Rock State Park, WV

Birch Catkin

Birch catkin

 

The birds were singing, sun shining and wind blowing trees with bright new leaves and catkins. Picked up a book with trails described, will be sure to return in other seasons.

 

Arrived at Cedar Lakes Conference Center in Ripley for week long rug camp directed by Tomorrow’s Heirlooms. Always enjoy the early morning fog lifting off water surface and structures. How could this view be interpreted using fiber techniques? The reflecting light is what fascinates me.

early morning light

early morning light

Traveled to Charleston and visited the Capitol Market. Plants in all sizes, colors and leaf shapes.  Inspirations everywhere if you pause to see what you are looking at.

Charleston Farmers Market detail

And finished this stop with lunch at Soho which uses Homer Laughlin Fiestaware (WV company) for serving dishes along with local ingredients for fresh salads.

Fiestaware at SoHo

Fiestaware at SoHo

Inspirations collected depict space, scale, color, value, contrast, depth, texture, nature and history. May I encourage you to experience new visuals and sounds and add them to your work.

Retreating in the Mountains 2015

The 8th Retreat into the Mountains weekend is over with resounding “YES let’s do this again” from all.  Coming in over the mountains fog slowed the progress into Peterkin Camp and Conference Center on Friday.  Gathering with friends, settling into our nests, sharing the projects we wanted to spend our time on, and learning a variety of finishing techniques were how Friday was spent.  Of course there was food in the dining hall and in-between, all with a healthy approach. Last person left the workroom at 12:30 Saturday morning….

Keri Sue Brunk lead two yoga sessions on Saturday.  The first before breakfast and the second one introducing the practice just before lunch.  She also loosened up the neck, hands and back muscles while we sat in our seats.

The finishing techniques we covered were triple whipping with cording conducted as a hands-on session by Nancy Parcels. Stumbles, success, and appreciation were the compliments we shared with our samples.  Lori LaBerge showed the layering involved to present her work for gallery sales by stitching the hooked work to gray herringbone, stretched onto art board with clean wrapped corners, cloth covering the back all of which is then inserted into a gold rimmed shadowbox frame. A whipped mitered corner was demonstrated from handout by Germaine James of Canada. Debra Smith showed how a picot crocheted edge enhances a whimsical design.

Collection of pin looms

Collection of pin looms

The Falls

The Falls

We played with pin looms ranging in sizes from 2 inch square to 4″ x 6″ and using a variety of yarns and ribbons.  The March/April/May 2015 issue of Rug Hooking Magazine includes an article about continuous weaving incorporating pieces into hooked art. The annual hike to the glen with waterfall and hemlock grove introduced the property at Peterkin to the new attendees on Saturday afternoon.

Jim, Paul, Andy, Rick and Joe

Jim, Paul, Andy, Rick and Joe

Saturday evening we stayed at Peterkin and all of our senses were exposed to a new experience.  Within Hampshire County there are dozens of musicians who jam weekly playing old-time music. I called Paul Roomsburg and he networked with four others. Jim Morris brought instruments made from common objects telling us the history of music. Joe Hypes and Andy Agnew brought along their Rebel Union CDs and played guitar, fiddle and banjo during the evening.  Rick Pegg played the entire three hours standing up with the bass. To say we had a good time would be far from enough compliments to this group of talent.  By the end wooden spoons were tapping away on body parts, our clapping and stomping added to their strings. We all joined in with a rendition of John Denver’s ‘Country Roads‘ and ‘Amazing Grace‘.

Taking photos, studying

Taking photos, studying

2015 attendees

2015 attendees

Sunday was filled with conversations including critiques; suggestions for equipment, material and other workshops; and several successful completed projects.  We “throw down” works onto the wide porch each year and then get together for a group portrait.  Lunch and packing up came too quickly but the dates are set for 2016 and cyberspace will keep us connected until then.

 

Finishing up the Study

March 23 I finished the last month in the Year Study.  That is not to mean every single square is completed but I can say there is an end in sight and the twelve panels will be ready for Sauder Village Rug Hooking Week August 11-15 in Archbold, OH.

Visit Year Study – Collection Gallery to see the months and individual squares.  Over time the full project will be uploaded.

August 2014 nine squares

August 2014 nine squares

Lessons learned? Sketch and complete each subject at least within the month.  I jumped around and when busy with teaching stopped working on the pieces until months later.  The creative momentum was lost for a particular design or a techniqueI had suggested did not interest me when it came around to doing that square. So I changed it.

I still procrastinate.  Although deadlines are met, I prioritize the projects and decide whether a commitment is worth pursuing or can be shelved.  This one will be completed because I told many people, it has been accepted as an exhibit, I am happy with the results, the documentation will be useful in future articles, workshops and the direction of my artwork practices.

Color studies

Color studies

Solution:  Independent study with one person as student and advisor means goals or methods can be changed to meet the situation.  Stay positive do not chastise, evolve. I changed some designs from original sketch.  There were days with no sketches which I used to explore a series with pleasure.  I got through by breaking the 365+pieces  down into segments of a each month.

Results: When the project began I thought it would be rewarding to explore new techniques in surface design.  Now 18 months later and counting, that goal was met and I have set another one: to educate. During the year photographs were taken when changes were made to a piece.  I will write a series of articles describing the process, challenges and solutions.  In future posts and the pages on the site under Year Study, mini courses will develop and a dialog with viewers.  I found using social media helpful for encouragement, directed critique and developing an interested audience.

Progress in the Mountains, Susan L. Feller 2014

Progress in the Mountains, Susan L. Feller 2014

There is an urge to work on larger pieces finally.  Abstract, geometric, simplified palettes, and environmental stories are the styles and subjects which will be developed.

 

To be continued. I am glad to be on this creative journey with you.

Progress in the Mountains

Progress in the Mountains, Susan L. Feller 2015

Progress in the Mountains, Susan L. Feller 2015

After three years of muddling over this topic I created “Progress in the Mountains“, a seven foot by 27 inch hand hooked runner.

Envision the impact on geography, environment, culture and community the human drive for progress has had on the natural resources of West Virginia (a micro example of the globe).

1. Major interstate highways create jobs for the construction industry, allow quicker access to towns and destinations for tourism and commerce but disturb migration paths, feeding and lodging habitat for fauna and flora.

2. Corporate farming in the form of one breed of cattle, poultry buildings for thousands, and processing plants for each creates excess of waste which needs to be distributed by vehicles to wider destinations or processed into a stable by-product.

3. Lumbering of the forests, many of which were contract planted for the pulp or board feet affects the terrain.  The undergrowth is necessary to keep erosion from happening, contributing to pollutants in the rivers.  Slow traffic from lumber trucks is alleviated with the new highway system.

4. Coal mining strips the tops of mountains to find the veins, moving the waste often into headwaters of small streams which will run into the major river systems.  But the coal is used to create electricity for the metropolitan population’s requirements to communicate, work, entertain.  The power lines to distribute the energy create wide cuts in direct paths economical for the corporations taking years of negotiating with landowners, environmentalists, historians and politicians but eventually “for the good of the majority” being implemented.

5. Wind turbines line the highest ridge lines feeding the energy generated into those power lines again going out of our state to the metropolitan region.  Although a regenerable resource (wind) the effect on birds’ migratory paths is being studied.

I find it interesting to use a traditional hands-on process of pulling one loop at a time, manipulating the fabric into shapes and directions (rug hooking) to depict these issues of the 21st Century.  For months this design was drawn horizontally spreading the seven feet with layers of hills, roads and power lines intersecting the organic shapes.  It did not seem to be the right format. Finally in my daily journal on June 27 I tried a vertical format and could see more layers allowing a longer trail to be able to tell more stories.  The piece evolved easily from there.

Study for Progress in the Mountains

Study for Progress in the Mountains

Working this runner was like reading a great book, each chapter and character held my interest. They built on previous sections with shapes, colors and values evolving along the path, progressing to the top and end.  Imagine walking along, following the flow of road and hills then turning around and coming back down the mountain in your hallway.

Following are subjects taken along the Robert C. Byrd Highway system in Hardy County, WV and the rug in stages of completion.

 

UPDATE: I wrote an article about the making of this rug for Rug Hooking Magazine Nov/Dec 2015.
After looking at the completed runner hanging in my studio for months I changed the perspective of one part of the highway and was satisfied enough to enter into the 2017 WV Bi-Annual Juried Exhibition. It received a purchase award and now resides in the archives of the State Museum, Culture Center, Charleston, WV.

Contemporary Fiber work at Schwenkfelder

My responsibility as co-curator of the ‘Garden to Table’ exhibit at the Schwenkfelder Library and Heritage Center was to collect contemporary work incorporating rughooking.  The pieces contributed by Carolyn Boutilier, Kris McDermet, Mary Jane Peabody and Darlene York  Trout along with several of mine portray a variety of techniques within the traditional rughooking medium.

hooked and sewn pumpkin base, wool stem, stuffed by Carolyn Boutilier

hooked and sewn pumpkin base, wool stem, stuffed by Carolyn Boutilier

 

 

Carolyn Boutilier from Harrisonburg, VA hooked and stuffed a 3-D pumpkin which complimented the wax fruit displays of the 1800’s.  Exhibited under it’s own plexi glass box the humble object receives the respect it deserves.  Candace Perry chuckled with glee when she saw the pumpkin.

 

 

 

 

Luscious Vermont  Kris McDermet 2014  Dummerston, Vermont

Luscious Vermont 
Kris McDermet 2014 
Dummerston, Vermont

 

 

Kris McDermet’s braiding, hooking and felting exemplifies contemporary fiber art using traditional crafts.  Living in Vermont the rug represents her generational family homes in a palette connoting the Green Mountain state. Kris is co-author of Combining Rug Hooking and Braiding published by Schiffer Publishing.

 

Fruit and Flowers, Mary Jane Peabody (pattern by Jacquelyn Hansen)

Fruit and Flowers, Mary Jane Peabody (pattern by Jacquelyn Hansen)

 

Mary Jane Peabody from New Hampshire was inspired to learn an old technique – sculpting or the Waldoboro style. She began this piece in a workshop conducted by designer,  author and expert Jacquelyn Hansen from Maine. The pattern Fruit and Flowers is by Hansen.

 

 

 

detail sculpting technique by Mary Jane Peabody

detail sculpting technique by Mary Jane Peabody

 

The 3-D effect is achieved by progressively pulling the loops higher as the shape is hooked from outline to center.  Then the thin strips are each clipped at the loop and gradually TRIMMED to create the shape. Popularized in Waldoboro, Maine in the early 1900’s on rugs, this piece is beautiful finished in a burled frame.

 

 

 

 

 

Paisley Bouquet by Darlene York Trout

Paisley Bouquet by Darlene York Trout

 

Darlene York Trout from Indiana is a designer willing to use any of the fiber skills she has accumulated to make a piece unique. This work was created specifically as a gift for her friend Patsy Jones which made it even more enjoyable to work on.  I enjoyed a week at Cedar Lakes Rug Camp working with Darlene on the Paisley Bouquet and knew it would reflect the fruit compotes in the Schwenkfelder collection.

Embroidery skills are evident in the detailed cross hatch of the central flower and the quilted, appliqué corners.  She also used beads and hooked in sari silk ribbon to highlight some accents and hand dyed all the wool.

 

 

Haying Stages, Susan L. Feller

Haying Stages, Susan L. Feller

In Haying Stages I used several techniques to create the hay rolls, mowed fields, and scrabble of grasses. The rolls are made using a pin loom and continuous weaving. An addictive satisfying technique popularized in the 1940’s and seeing a resurgence in the crafts wave of the 21st C. The ends are closed with a plaited strip made from the wool I hook with.

 

detail plaiting, weaving by Susan L. Feller

detail plaiting, weaving by Susan L. Feller

I used a ragged approach to the ends, cutting them off higher in many areas to depict the grass. In the area where the rolls are there is hand dyed wool anchored by the same yarn used int the roll.

This piece was juried by Jane Dunnewold into an exhibit at Morehead State University, Kentucky titled 7Stitch.