Category Archives: West Virginia Artists

A Leaf Falls

One day in high school English class Mrs. Bowen assigned us an EE Cummings poem. Minutes went by as I stared at the letters and then….. I read it!

Decades later I honored this experience with “A Leaf Falls”.

Welcome to my favorite season.

 

The design evolved from a sketch of migrating birds gathering seeds outside of our home one October day. The Carolina Wren’s tiny body with tail sticking up and beak down looked like a leaf. Gathering yellows and muted gold wools, I organically filled in defined shapes keeping three openings for my leaves. Two leaf shapes are stuffed and stitched onto the linen backing. Their veins and stems are copper wire anchored by  gold threads. The third is partially stuffed but its edge flutters because of a layer of iron-on interfacing with wire inserted between two pieces of wool and bent to shape.

I sent off a card with the image and poem as a thank you note to Mrs. Bowen and received a lovely note back. It felt nice to have been able to send my appreciation after all these years.

Inspiration explored 50 years later

Blanche McDonald, Letter Gap, WV circa 1965 with mixed media footstool

Blanche McDonald, Letter Gap, WV circa 1965 with mixed media footstool

In a five year research project gathering personal background about Otha and Blanche McDonald from Letter Gap, WV I have been inspired by their textile work. Incorporating collage, embroidery, trapunto and stitching the ladies work embodies traditions, make-do, and balanced composition = art.  This post will describe my approach to making a footstool as they did in the 1960’s.

seven cans for the base of footstool

seven cans for the base of footstool

Materials needed: seven same sized empty cans (I used one pound coffee cans)
batting used in quilting
fabric to wrap the circumference of cans assembled into circle
embroidery threads your choice of colors
variety of heavy weight fabrics or upholstery fabric sample
fabric strips to hook (usually wool but your choice)
foundation backing open weave for hooking and stitching
needles, hook, scissors
mat board cut the shape of circle (two pieces)

Tape the cans together, six around one in center. Trace this shape on paper and use as template for pattern. Draw onto backing and gather your fabrics, threads, tools. This is the time to play. The McDonald Sisters’ compositions all conjure up gardens and nature. They collaged scraps of velvet, brocades and drapery fabric common in the 1960’s in central West Virginia and any rural community in the United States. The shapes were defined with yarns unevenly anchoring the edges of each petal or stem. Some other materials used to embellish were unraveled copper threads from a Brillo pad which have tarnished over the years but still have a twinkle hint of metal.

top of footstool in private collection

top of footstool in private collection

I do not want to replicate their designs for a couple of reasons. One the copyright has not expired, the ladies passed away in 1975 and 1976. Two as an artist I prefer to react and respond. Using a supply of discontinued samples of upholstery fabric acquired from Dillon’s Furniture in Romney (eliminating their dumping them into the landfill), cutting up and rearranging the pieces into a pleasing composition then filling in the spaces with hooked wool fabric and stuffing some of the fabric shapes this footstool cover evolved.

Piecing three colors of wool to wrap the cans, I attached the top and put on a bottom of corduroy with mat board buffering the cans and fabric. The sides were embroidered with simple flowers.  I stuffed the two main flowers on the top but stitched the stems with embroidery threads anchoring them lower than the hooked loops.

This footstool will be part of an exhibit at Sauder Village August 17-20, 2016focusing on Otha and Blanche McDonald’s life and their exposure to economic opportunities thanks to President Johnson signing the Economic Opportunity Act in 1964. They and many craftspeople have been honored in exhibits, purchase awards, and sales for the past fifty years.

Susan L Feller with mixed media hassock

Susan L Feller with mixed media hassock

Fifty years later another footstool and craftsman outside of her log home… me.

Stymied with process

I have a good design, pile of materials in a variety of values, and know the techniques I want to use why is this process not enjoyable?

Sketch of Seneca Rocks #2 Susan L Feller

Sketch of Seneca Rocks #2 Susan L Feller

I think the last two ingredients are lacking something….but what?

Check out my decision process so far:  layering fabric, working trees in different values embroidered, hooked and appliquéd, embroidery of leaves and then the rocks.

Decided I need to set this aside and work on another project while researching skills and shopping for supplies.

Came back to the piece and kept going. By selecting the upholstery material for rocks in value and different textures the piece seemed to come together. Turned it over to my partner, Jim Lilly who created a custom frame continuing the layers of forest. Seneca Rocks #2 is complete.

A change of season

Here is one day in May where color, shapes and sounds announced new life in West Virginia. The natural cycle continues. As of the end of the month, with the squeaking song in early morning of the Indigo, all of the migratory birds have returned.  We are ready for summer.

My artist eye  looks for shadows, highlights and textures to exaggerate. When you look around what catches your eye and how will you show us the results?

Travel Sketches-Seattle

Beginning a new series based on my travels. The challenge is to simplify the experience.

I decided a journal approach will help develop style and studies for larger art. Less pressure to “nail it” the first time and as you will see, the exercise leads to my goal… concise yet informative designs. Techniques and materials are not clarified yet, although my new supply of cotton fabric and threads will be tapped into.

Thanks go to the students in my design class at Puget Sound Rug School, who energized my own creativity. The first sketch is a result of one of the exercises. List a topic, describe it in words and motifs.

Initial Sketch

Initial Sketch

Over the past week I have developed three separate designs inspired by the trip to Seattle. The City View has seen 6 versions so far.  Next steps to decide size, techniques, materials and begin with my favorite tools-my hands. Slowly I will communicate.

 

What am I learning?

Sketches and small studies reveal patterns, address color nuances and encourage decisions.
What will be explored again, how large, using what materials, techniques, how many times?

Documenting Work

Two paths converge with my work: history and art. Documenting who created the artwork begins the archival trail for future researchers, bringing “life” to an object.

The squares are not individually signed within the work but I am stitching a label to each along with the online archival record at Year Study.

Those which are framed include labeling in several steps.

Thrilled with the end results – a unique piece of art, off to its new home.

 

Revealing Squares

4-24-14 Positive Negative; hooked

4-24-14 Positive Negative; hooked

I am thrilled to announce the administrative work is completed and you can virtually explore the Year Study – square by square.  Review the exhibit here online.

From November 2013, through November 2014 the  individual squares are listed for sale at squareup.com/store/Susan-Feller-ArtWools select STORE then the month you are interested in or scroll through. Sold pieces are not listed on the sale site but you can still study them at www.ArtWools.com/year-study.

Looking forward to conversations in person, here online and through articles about creativity, process and product.

Premiering Year Study at Sauder

Year Study Journals

Year Study Journals

One month to go! The prep work is administrative now – scanning journal pages, photographing, cropping and uploading images and creating labels for the only public exhibit of all 365+ squares.  The YEAR STUDY will be hung as twelve panels (months) at Sauder Village Rug Hooking Week in Archbold, OH August 12-15. On Saturday morning I am conducting a gallery talk, sign up for this or enjoy the visuals while at the show.

The variety of techniques, materials and composition styles are sure to encourage fiber artists. Taking the time to educate myself with these elements has been more important than I first expected.  As an artist there are times when everything clicks and volumes of pieces are the results.  The satisfaction of sales and ease in making similar work just keeps flowing along.

BUT I have observed the spark of the artist does not end up in every one of their pieces. Back in my college days when a roll of photographs was taken there was probably only one or maybe two which were great, artists know when the object has a soul.

Working in uncertainty everyday to create a visual record was helpful to learn how to communicate visually.  Besides improving drawing skills I learned to simplify, enhance shapes, use colors and values to direct the viewer. Using a variety of techniques within one square, I have been able to create interest in a small object.

Several themes are haunting me and the studio has been reorganized, purged of clutter and is ready to be used for creativity. While cutting up the panels and adding the finishing to each square is still ahead, knowing they will be purchased and enjoyed by others makes this step enjoyable along with educational.

Traveling Inspirations

On the road again teaching, lectures and just because the weather is nice and making a point to visit all the state parks in WV. Coopers Rock State Forest was just three miles off the Interstate on my way to Cedar Lakes last week.

Cooper's Rock State Forest WV CCC construction

Cooper’s Rock State Forest WV CCC construction

A breathtaking view of undeveloped forest and valley atop a massive ROCK.  The CCC program instituted by President Roosevelt employed thousands and left structures built with native materials which decades later are treasured.

Cooper's Rock State Park, WV

Cooper’s Rock State Park, WV

Birch Catkin

Birch catkin

 

The birds were singing, sun shining and wind blowing trees with bright new leaves and catkins. Picked up a book with trails described, will be sure to return in other seasons.

 

Arrived at Cedar Lakes Conference Center in Ripley for week long rug camp directed by Tomorrow’s Heirlooms. Always enjoy the early morning fog lifting off water surface and structures. How could this view be interpreted using fiber techniques? The reflecting light is what fascinates me.

early morning light

early morning light

Traveled to Charleston and visited the Capitol Market. Plants in all sizes, colors and leaf shapes.  Inspirations everywhere if you pause to see what you are looking at.

Charleston Farmers Market detail

And finished this stop with lunch at Soho which uses Homer Laughlin Fiestaware (WV company) for serving dishes along with local ingredients for fresh salads.

Fiestaware at SoHo

Fiestaware at SoHo

Inspirations collected depict space, scale, color, value, contrast, depth, texture, nature and history. May I encourage you to experience new visuals and sounds and add them to your work.