Tag Archives: west virginia

Documenting Work

Two paths converge with my work: history and art. Documenting who created the artwork begins the archival trail for future researchers, bringing “life” to an object.

The squares are not individually signed within the work but I am stitching a label to each along with the online archival record at Year Study.

Those which are framed include labeling in several steps.

Thrilled with the end results – a unique piece of art, off to its new home.

 

Revealing Squares

4-24-14 Positive Negative; hooked

4-24-14 Positive Negative; hooked

I am thrilled to announce the administrative work is completed and you can virtually explore the Year Study – square by square.  Review the exhibit here online.

From November 2013, through November 2014 the  individual squares are listed for sale at squareup.com/store/Susan-Feller-ArtWools select STORE then the month you are interested in or scroll through. Sold pieces are not listed on the sale site but you can still study them at www.ArtWools.com/year-study.

Looking forward to conversations in person, here online and through articles about creativity, process and product.

Traveling Inspirations

On the road again teaching, lectures and just because the weather is nice and making a point to visit all the state parks in WV. Coopers Rock State Forest was just three miles off the Interstate on my way to Cedar Lakes last week.

Cooper's Rock State Forest WV CCC construction

Cooper’s Rock State Forest WV CCC construction

A breathtaking view of undeveloped forest and valley atop a massive ROCK.  The CCC program instituted by President Roosevelt employed thousands and left structures built with native materials which decades later are treasured.

Cooper's Rock State Park, WV

Cooper’s Rock State Park, WV

Birch Catkin

Birch catkin

 

The birds were singing, sun shining and wind blowing trees with bright new leaves and catkins. Picked up a book with trails described, will be sure to return in other seasons.

 

Arrived at Cedar Lakes Conference Center in Ripley for week long rug camp directed by Tomorrow’s Heirlooms. Always enjoy the early morning fog lifting off water surface and structures. How could this view be interpreted using fiber techniques? The reflecting light is what fascinates me.

early morning light

early morning light

Traveled to Charleston and visited the Capitol Market. Plants in all sizes, colors and leaf shapes.  Inspirations everywhere if you pause to see what you are looking at.

Charleston Farmers Market detail

And finished this stop with lunch at Soho which uses Homer Laughlin Fiestaware (WV company) for serving dishes along with local ingredients for fresh salads.

Fiestaware at SoHo

Fiestaware at SoHo

Inspirations collected depict space, scale, color, value, contrast, depth, texture, nature and history. May I encourage you to experience new visuals and sounds and add them to your work.

Retreating in the Mountains 2015

The 8th Retreat into the Mountains weekend is over with resounding “YES let’s do this again” from all.  Coming in over the mountains fog slowed the progress into Peterkin Camp and Conference Center on Friday.  Gathering with friends, settling into our nests, sharing the projects we wanted to spend our time on, and learning a variety of finishing techniques were how Friday was spent.  Of course there was food in the dining hall and in-between, all with a healthy approach. Last person left the workroom at 12:30 Saturday morning….

Keri Sue Brunk lead two yoga sessions on Saturday.  The first before breakfast and the second one introducing the practice just before lunch.  She also loosened up the neck, hands and back muscles while we sat in our seats.

The finishing techniques we covered were triple whipping with cording conducted as a hands-on session by Nancy Parcels. Stumbles, success, and appreciation were the compliments we shared with our samples.  Lori LaBerge showed the layering involved to present her work for gallery sales by stitching the hooked work to gray herringbone, stretched onto art board with clean wrapped corners, cloth covering the back all of which is then inserted into a gold rimmed shadowbox frame. A whipped mitered corner was demonstrated from handout by Germaine James of Canada. Debra Smith showed how a picot crocheted edge enhances a whimsical design.

Collection of pin looms

Collection of pin looms

The Falls

The Falls

We played with pin looms ranging in sizes from 2 inch square to 4″ x 6″ and using a variety of yarns and ribbons.  The March/April/May 2015 issue of Rug Hooking Magazine includes an article about continuous weaving incorporating pieces into hooked art. The annual hike to the glen with waterfall and hemlock grove introduced the property at Peterkin to the new attendees on Saturday afternoon.

Jim, Paul, Andy, Rick and Joe

Jim, Paul, Andy, Rick and Joe

Saturday evening we stayed at Peterkin and all of our senses were exposed to a new experience.  Within Hampshire County there are dozens of musicians who jam weekly playing old-time music. I called Paul Roomsburg and he networked with four others. Jim Morris brought instruments made from common objects telling us the history of music. Joe Hypes and Andy Agnew brought along their Rebel Union CDs and played guitar, fiddle and banjo during the evening.  Rick Pegg played the entire three hours standing up with the bass. To say we had a good time would be far from enough compliments to this group of talent.  By the end wooden spoons were tapping away on body parts, our clapping and stomping added to their strings. We all joined in with a rendition of John Denver’s ‘Country Roads‘ and ‘Amazing Grace‘.

Taking photos, studying

Taking photos, studying

2015 attendees

2015 attendees

Sunday was filled with conversations including critiques; suggestions for equipment, material and other workshops; and several successful completed projects.  We “throw down” works onto the wide porch each year and then get together for a group portrait.  Lunch and packing up came too quickly but the dates are set for 2016 and cyberspace will keep us connected until then.

 

Let me introduce you

The best way to meet is through a friend. Here are some West Virginia artists I recommend:

Michael Anderson

Michael Anderson

 

Michael Anderson is multi-talented from computer guru (my go-to guy) to photography and linocuts. He can be found on Facebook at Michael Anderson and is updating a website for online sales of print work.

 

 

2015 wenweave Collection

2015 wenweave Collection

 

Wendy Clark weaves her own hand dyed yarns into scarves, wraps and purses. The wild and wonderful scenery surrounding a comfortable log home studio provide inspiration and a necessary peaceful environment.  Her collections are sold nationally and on her website wenweave.com

 

 

Nellie Rose Textiles

Nellie Rose Textiles

Nellie Rose Davis grew up with parents manipulating fabrics and immersing them in dye pots creating colorful shibori garments and accessories. With her own flare, NellieRose scarves and dresses are marketed through national galleries thanks to assistance from the Tamarack Foundation’s From WV to Urban Markets.  Look for them in your local gallery or online at NellieRoseTextiles.com

 

Jan Dodgins

Jan Dodgins

 

Jan Dodgins shows us the beauty of West Virginia through her camera lens often coming close to wild animals and flora.

Connect with Jan on Facebook at Jan Dodgins

 

 

Lisa Kovatch NICHE Winter 2015

Lisa Kovatch NICHE Winter 2015

 

Lisa Kovatch can be found at WestWind Potters in Harpers Ferry, WV. This shop is filled with American Made artwork (including my mats and artwork) and is a great destination when visiting the National Park of Harpers Ferry.  Her own line of pottery has been selected as a 2015 NICHE Finalist, and is sold nationally under the name of LK Pottery

 

 

Michael O'Brien

Michael O’Brien


Michael O’Brien
works in stained glass, mixed media, and drawings all built up in layers of materials creating stories. The musician side can be found jamming in a variety of styles with Hampshire County friends. His work is available at Anderson’s Corner, 8 West Main Street, Romney and  you can meet Michael there during the Highlands Studio Tour in the fall. His web presence is at mkobrien333.tumblr.com

 

Rebecca Wudarski

Rebecca Wudarski

 

Rebecca Wudarski makes Tucker County her home and muse. A musician, mixed media artist and barista at Tip Top Coffees in Thomas, Rebecca lives an artist’s lifestyle. Visit her website and look around www.RebeccaWudarksi.com

 

Progress in the Mountains

Progress in the Mountains, Susan L. Feller 2015

Progress in the Mountains, Susan L. Feller 2015

After three years of muddling over this topic I created “Progress in the Mountains“, a seven foot by 27 inch hand hooked runner.

Envision the impact on geography, environment, culture and community the human drive for progress has had on the natural resources of West Virginia (a micro example of the globe).

1. Major interstate highways create jobs for the construction industry, allow quicker access to towns and destinations for tourism and commerce but disturb migration paths, feeding and lodging habitat for fauna and flora.

2. Corporate farming in the form of one breed of cattle, poultry buildings for thousands, and processing plants for each creates excess of waste which needs to be distributed by vehicles to wider destinations or processed into a stable by-product.

3. Lumbering of the forests, many of which were contract planted for the pulp or board feet affects the terrain.  The undergrowth is necessary to keep erosion from happening, contributing to pollutants in the rivers.  Slow traffic from lumber trucks is alleviated with the new highway system.

4. Coal mining strips the tops of mountains to find the veins, moving the waste often into headwaters of small streams which will run into the major river systems.  But the coal is used to create electricity for the metropolitan population’s requirements to communicate, work, entertain.  The power lines to distribute the energy create wide cuts in direct paths economical for the corporations taking years of negotiating with landowners, environmentalists, historians and politicians but eventually “for the good of the majority” being implemented.

5. Wind turbines line the highest ridge lines feeding the energy generated into those power lines again going out of our state to the metropolitan region.  Although a regenerable resource (wind) the effect on birds’ migratory paths is being studied.

I find it interesting to use a traditional hands-on process of pulling one loop at a time, manipulating the fabric into shapes and directions (rug hooking) to depict these issues of the 21st Century.  For months this design was drawn horizontally spreading the seven feet with layers of hills, roads and power lines intersecting the organic shapes.  It did not seem to be the right format. Finally in my daily journal on June 27 I tried a vertical format and could see more layers allowing a longer trail to be able to tell more stories.  The piece evolved easily from there.

Study for Progress in the Mountains

Study for Progress in the Mountains

Working this runner was like reading a great book, each chapter and character held my interest. They built on previous sections with shapes, colors and values evolving along the path, progressing to the top and end.  Imagine walking along, following the flow of road and hills then turning around and coming back down the mountain in your hallway.

Following are subjects taken along the Robert C. Byrd Highway system in Hardy County, WV and the rug in stages of completion.

 

UPDATE: I wrote an article about the making of this rug for Rug Hooking Magazine Nov/Dec 2015.
After looking at the completed runner hanging in my studio for months I changed the perspective of one part of the highway and was satisfied enough to enter into the 2017 WV Bi-Annual Juried Exhibition. It received a purchase award and now resides in the archives of the State Museum, Culture Center, Charleston, WV.

Opening of ‘Hooked Art 2014’

Entrance to UConn Gallery Hooked Art 2014

Entrance to UConn Gallery Hooked Art 2014

Opening Receptions are great opportunities to meet artists and view artwork and Saturday , October 25 was no exception.

Fifteen of the 18 artists were in attendance to discuss and enjoy the 55 contemporary textile works curated by Liz Alpert Fay in the 10th exhibit sponsored by Newtown Hooked Art Shows with Sherry Paisley.

Conversations between artists included topics on process, progress and future studio work while audience members were overheard saying their work would be influenced by the innovative directions they observed on the walls at the UConn Gallery on Stamford, CT campus.

Below are two images of work included in this exhibition of contemporary hooked art on view at UConn Gallery in Stamford, CT through November 29.  Visit if you can and enjoy the scale of each interacting with the others.

See www.NewtownHookedArtShows.com fora  link about hours and directions.  A review in Fiber Art Now magazine Fall 2014 issue includes an interview with Juror of Awards-Lee Kogan, Curator Emerita American Folk Art Museum, New York City.

I am happy to announce receipt of a travel grant from WV Div of Culture and History for my trip to the opening and a luncheon with fellow artists.  The grant allowed me to meet with my peers, view their work and discuss future fiber projects outside of the State of West Virginia.

Rug Hooking outdoors in Fall

FALL in West Virginia means breezes, sunshine, brittle leaves fluttering, COLOR and no bugs.  As a member of the Plein Air Hooking Artists it was time to get out and enjoy all of the above while creating.

Paw Paw Tree in Fall

Paw Paw Tree in Fall

My attention was drawn to our Paw Paw tree.  The fruit is indescribable in taste subtle like  banana, custard, but something else.  Yet it is memorable and a native to the Appalachians.  There is even a Paw Paw Festival in early September held in Ohio.

Out came the chair, portable frame (Townsend model, Beeline is making a similar style); bags of yellow, green, purple and red wool strips; hook and linen.  I drew a design 7″ x 5″ on a strip of linen with three more of the same size.  One will be used as a Friendship Exchange Mat during the TIGHR Triennial 2015 (Back to Nature is the theme).

I enjoyed working with the elements, they influenced my mood and the work.  Starting with using the purple bag to depict the dark trunk, and limbs.  (The literalist said, “Oh darn I forgot the neutral bag”.  The artist said, “Use what you have and purple is the complement of yellow along with the darkest color”.)

I will admit the sun went in and breeze got colder so into the studio I went after two hours to finish the piece in a total of five hours.

I worked up a second design outside the next day.  This one I wanted to show the smooth leaves, vein colors and layers so hooked some, then cut out leaf shapes in wool and anchored them with pearl cotton embroidery stitching.  I pulled the two together with the same blue, similar purples and crisp yellow greens. Number three is drawn.  These leaves change daily now that the light and temperatures are changing.

Get out and look at nature daily.  You may be surprised what detail draws your attention and says “Capture me in your artwork.”

 

 

Nature Lessons in Color Planning

When I wanted to illustrate complementary partners in the book ‘Design Basics for Rug Hookers’, Stackpole Books 2011; I chose PURPLE asters and GOLDENrod along the highway near Albany, NY and ORANGE sassafras and a crystal BLUE sky here in WV.

Late summer brings on the subtle changes we glorify as Fall.  These images are good studies in how amount of color and placement affect the motif . They represent RED with its complement GREEN.

 

This is is a ‘Daily Square’ from late October 2013 depicting a blackberry branch. These photos taken today will inspire several squares.

Look around your environment and select a new color plan.

Blackberry Branch, Susan L. Feller painted linen, hooked, embroidered, quilted

Blackberry Branch, Susan L. Feller painted linen, hooked, embroidered, quilted

Graphic Realism

I indicated in REALISM INTERPRETED there was a second piece using the same subject. Here is the process and results.  The first work, “Neighbor’s Barn”, used the subject and evokes the natural nuances of 100 year old chestnut boards.  This piece, “Neighboring Barn”, I challenged myself to simplify using straight lines; evoke more drama with higher contrast; and in the end incorporate hardware to emphasize the design origin.

Originally I drew out a runner (18 x54), as you will see the concept morphed into a square.  Why?  As the length increased I began to ask myself what was I trying to say?  When “I do not know” came back to me I re-evaluated.  I took out the light line in lower right, inserted a dark copper wire and ended the composition at the base of the door.  This way with the hardware the viewer probably sees a weathered structure and my piece has a story to tell.